Incredible Bob

Experimental Belgrade

Dobri Bob Miloshevic uzhivo na otvaranju izlozhbe Wild in the Street, Nenada Rackovica
Galerija 12 HUB
18. 1. 2014.

avant-prog shitgaze + post-noise hackattack


kustosko-producentski tim:
Milica Pekić, Miroslav Karić, Saša Janjić, Jelena Piljić

snimio Stasha Tomic

Incredible Bob with Actress on MUTEK, Mexico City

A/VISIÓN 3 - NOCTURNO 1
Foto Museo Cuatro Caminos, Mexico City
w/ Diamond Version (Alva Noto + Byetone), James Holden, The Field, Strobe

"The sound in the room was booming, and the stage was backed by two giant screens, which kept an interesting array of abstract, brightly colored visuals coming throughout the evening. "
XLR8R

"Actress was followed by a final amazing Diamond Version, with a set that stood out for the way to go build it, with sharp sounds, without being low enough but finding a fit with trigonometric visual."
NOISELAB

thanks to Fundación Pedro Meyer for documenting this event

Peoplemeter performance @ IMAX, Mexico City,  3. X 2013

MUTEX.MX Festival

with live music by WoO and Springboard

Novo Doba Fetival 2013 @ KC Drugstore, Belgrade

Incredible Bob with Lina Rica and FŠK

Visuals and light design for The ORB SoundSystem; Ulan Bator; Cristian Vogel; Drasler, Karlovcic,Drasler; Litost,

Sajeta Festival, 2013, Tolmin, Slovenia

VJ Incredible Bob w/ Tiga, Jori Hulkkonen, Gordan Paunovic and Petko

Sptember 7, 2013 @ Warehouse, Belgrade

photos by Srdjan Veljovic, Urban Bug and 24sata

Binocular video installation Parallax by Incredible Bob.
Hacked VHS viewfinders connected to two crossed CCTV bullit cameras.

Intera(atr)akcije group show curated by Simona Ognjanović, Sima Kokotović and Rade Pantić.
w/ Mića Stajčić and Nemanja Lađić
Dom Omladine Gallery, Belgrade
july - august 2013

tech support: Daka Milosevic, Skills Division
music: McKenzie
thanks to Stasha Tomic and Oliveti for documenting

Binocular video installation Parallax by Incredible Bob.

exhibition Interatractions @ Dom omladine, Beograd
w/ Mica Stajcic and Nemaja Ladjic
curated by Simona Ognjanovic, Sima Kokotovic and Rade Pantic